That's fine for some purposes but it is a disservice to those of us who prefer to ignore the camera's JPEG and go back to the raw file to develop it ourselves on the computer. It seems that Fuji is more concerned with creating a useful JPEG SOOC. Raw Digger incorporate the adjustments so you can see the histograms moving even though the displayed image is "normalized".įastRawViewer does not normalize the image and shows the actual raw histogram along with the unadjusted JPEG.
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One of the programs I use, Picture Window Pro (PWP), stopped updating their software around that time so it appears that they did not get the memo in time.Ĭapture One Pro knows about Raw Exposure Bias now but I can't determine when they or Adobe learned about it. Mansurov's article was posted in 2015 so we don't know how much the information had gotten around at that time.
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But not moving it at all, which everyone else does, makes even more sense. If Fuji had gone the other way - allowed the photographer to move the raw histogram to the right - it would have made more sense. It goes against everything we know about exposing to the right which is intended to make the most of the values that get stored in the raw file. The closer you look the sillier it seems. I've often wondered what I'm to do this this "feature" (and I've read a few who suggest ignoring it).
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"It makes no more sense than Fuji's Dynamic Range setting that allows you to shift the raw histogram to the left by one stop starting at ISO 400 and two stops at ISO 800 and above." It makes no more sense than Fuji's Dynamic Range setting that allows you to shift the raw histogram to the left by one stop starting at ISO 400 and two stops at ISO 800 and above.Nasim Mansurov asks that question in his article i. Starting with ISO 2000, the blinkies and the histogram still represent the JPEG but the raw histogram starts moving to the left.Īlthough #1 is useful information, I can see no practical advantage to #2. If you see blinkies, both the JPEG and raw data are already blown out.Ģ.
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Up to ISO 1600, the camera's JPEG histogram is pretty much the same as the raw histogram. These values are in the EXIF information (truncated to 1 decimal digit) and they start to change at ISO 2000.īesides the initial confusion that this provided, there is a consequence:ġ.